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		A Million of You Chicago barnstormer Big Time Sarah has been a sure fire North Side draw and festival show stealer for at least as long as she has had her tight Big Time Express band behind her, probably a lot longer. On A Million of You, Sarah's powerful, commanding		$11.87 More Information
		All Star Stompers From 1956 on, clarinetist Albert Nicholas made his home in Europe. He only recorded in the U.S. again during a 1959 visit, which resulted in a pair of Delmark releases. This particular set matches Nicholas with pianist Art Hodes' band, which at the t		$11.87 More Information
		Bad Bascomb This CD collects together tenor saxophonist Paul Bascomb's United recordings of 1952. The material is pretty basic and RB ish, but fun, with the highlights including Blues and the Beat, Pink Cadillac, Soul and Body, and Indiana. The backup group incl		$9.89 More Information
		Black Forrest This 1972 LP, a complement to All the Gin Is Gone, released the remainder of tenor saxophonist Jimmy Forrest's two Delmark sessions, including four alternate takes and five other songs. Forrest sounds fine, guitarist Grant Green was making his debut		$8.90 More Information
		Boogie Woogie Kings Someone who has a limited knowledge of the acoustic piano styles of the '20s, '30s, and '40s might assume that stride piano as in James P. Johnson, Fats Waller, Willie The Lion Smith, and Luckey Roberts and boogie woogie were the same thing. But desp		$11.69 More Information
		Boogie Woogie Stomp The classic boogie woogie performances of Albert Ammons, Meade Lux Lewis and Pete Johnson have never been put out completely and in chronological order, although some sessions have been reissued many times. This 1998 Delmark CD confuses the matter a		$8.90 More Information
		Burnin Love Dave Weld, approaching sixty, has always been seen as one of the younger guard of electric blues guitarists, his boyish good looks adding fuel to that perception. Of course, he's one of the more seasoned professionals on the bar circuit, and with thi		$11.69 More Information
		Live at Ann Arbor In Chicago While the sound quality leaves something to be desired, fans of electric Chicago blues should hear Magic Sam live. Recorded at two separate locations, the Alex Club in Chicago in 1963 and 1964 and the Ann Arbor Blues and Jazz Festival in 1969, this d		$11.87 More Information
		Rainbow Mist Hawkins was always an open minded musician. A very advanced player even when he first emerged with Fletcher Henderson's orchestra in the '20s, by the '40s he may have been technically middle aged but remained a young thinker. For his recording sessio		$8.90 More Information
		Saturday Night Function Although Delmark never got heavily into fusion, it was quite eclectic in the 1970s a decade that found the Chicago based label recording everything form avant garde AACM jazz to hard bop to Dixieland. One of the Dixieland artists who recorded for Del		$11.87 More Information